Well, over the weekend there have been two more players have a got at the Tramp.
Player #1 - was picking up a JTM45 and Zaphod was here as well. At first he was upset he'd forgot a few pedals I asked him to bring but in the end he said it just doesnt need them. He could get clean easy and dirty, overdrive just as easy. Who needs a pedal? We tried the 0.68 & 1 uf on the 'tude setting, and the difference was enough to think about a Bright and Normal input. Look fot it coming soon...
The array of tones he was able to get was quite impressive. He owns a Silverface Champ, a Tweed Princeton, a Fender DR and a JTM 45. Certainly, he felt on the Tweed setting, he was able to get really close to both of them by dialing down the B+ to Tweed era levels, and then up to SF/BF levels for the Champ. He thought it was a little brighter than the Tweed using a Strat but dialing down the Treble and B+ level helped aleviate that. Recall we did add a little feedback boost. In general, I think he was pretty satisfied the Tramp can do a good job of the Tweed Champ/Princeton. He was able to nicely get the Tramp on the edge of breakup, which is not so easy to do with the Champ or Princeton. They are kind of One Trick Ponies he says. The nice thing here about the Tramp was you can set where you want that breakup to ocurr.
In the 'tude mode, it was a big change. He played around with the settings a lot and proclaimed it can do a decent Marshally sound. He took a few swipes at China Grove intro and , boy, it seemed to be pretty close so we grabbed a reverb pedal. Darn close! That was with the Gain not even maxed so you know it had more bite to give. Ozzy perhaps?
You can do all this and then brown it out with the Power /VRM control (Van Halen style), and drop the master to get very quiet but nicely distorted tones. While I installed the JTM head into a 210 combo cab for him, he played some nice Hendrix and Zeppelin riffs.
The Tramp is growing on me now.
Player #2 - a local Singer/Songwiter wih a couple of CD under his belt. He has played with some stunning players, records in his studio, so knows tone. He also has a studio set up at home and promises clips. He played a Custom Shop Tele with the Tramp, then TC15, 18 watt and came back to the Tramp to close. [He had already used my Tweed for a gig and recording]. Not being a lead player, he appreciated the clean tones it could get for soft country rhythm and blues. On his more bluesy pieces, he used the 'tude mode and discovered a new take on one of his upcoming songs. At twice the songs original tempo, with some nice break up - Gain at about 6 - it was the perfect tone. He said he was inspired.
The next step is to get the tramp into a proper cabinet with the 10" speaker and install the custom Heyboer transformer. Listen , tweak, Go to the chapel, record
Cabinet this week, transformers next week.
Anyone else local, who wants to try the Tramp?
_________________ Stephen Web: www.trinityamps.com. Facebook: facebook.com/trinityamps. Twitter: @trinityamps
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